100423-25_MF_Workshop@PennState

PENN STATE (PA)| RHINOSCRIPT WORKSHOP | APRIL 23-25th, 2010
Marc Fornes will be teaching a three days Rhinoscript workshop at Penn State: Stuckeman School of Architecture & Landscape Architecture
(Invitation: David Celento)

Note: the workshop will be followied in the next two weeks by the production and assembly of a new prototypic structure / installation...
more to come...

100325_TVMNY @ PARIS | Synesthesie Galerie

PARIS | Galerie Synesthesie | Opening Thursday 25th March
THEVERYMANY will present a new prototypic structure...

Design: THEVERYMANY / Marc Fornes
Design team: Marc Fornes, Mathew Staudt
Assembly team: Marc Fornes, Skylar Tibbits, Veronica Emig + many...
Fab: Jared Laucks

SYNESTHESIE
15 rue Denfert Rochereau
93200 SAINT DENIS
www.synesthesie.com

100212-0428_THEVERYMANY @ Guggenheim, NYC

GUGGENHEIM | NEW YORK, NY | Contemplating the Void
Fev 12th to April 28th 2010
THEVERYMANY has been invited to exhibit at the Guggenheim Museum, New York as part of the show CONTEMPLATING THE VOID - the exhibition will display a vision from the void of the museum from 300 artists and architects.
(invitation: David van der Leer, Assistant Curator Architecture & Design Guggenheim Museum, New York)



CONTEMPLATING THE VOID
February 12–April 28, 2010

Since its opening in 1959, the Frank Lloyd Wright–designed Guggenheim building has served as an inspiration for invention, challenging artists and architects to react to its eccentric, organic design. The central void of the rotunda has elicited many unique responses over the years, which have been manifested in both site-specific solo shows and memorable exhibition designs. For the building’s 50th anniversary, the Guggenheim Museum invited more than two hundred artists, architects, and designers to imagine their dream interventions in the space for the exhibition Contemplating the Void: Interventions in the Guggenheim Museum. Organized by Nancy Spector, Chief Curator, and David van der Leer, Assistant Curator for Architecture and Design, the exhibition will feature renderings of these visionary projects in a salon-style installation that will emphasize the rich and diverse range of the proposals received. Contemplating the Void: Interventions in the Guggenheim Museum will be on view at the Solomon R. Guggenheim Museum from February 12 to April 28, 2010.

Aristotle famously pronounced that nature abhors a vacuum, an idea that still resonates in art today. In designing the Guggenheim Museum, Wright flaunted the notion of the void, leaving the center tantalizingly (or threateningly) empty. Over the years, when creating site-specific installations or exhibition designs for the building, artists and architects have imbued the space with their presences, inspiring unforgettable works by Matthew Barney, Cai Guo- Qiang, Frank Gehry, Jenny Holzer, and Nam June Paik, among others. For the building’s 50th anniversary, the Guggenheim invited scores of artists to leave practicality or even reality behind in conjuring their proposals for the space. In this exhibition of ideal projects, certain themes emerge, including the return to nature in its primordial state, the desire to climb the building, the interplay of light and space, the interest in diaphanous effects as a counterpoint to the concrete structure, and the impact of sound on the environment. Conceived as both a commemoration and a self-reflexive folly, Contemplating the Void confirms how truly catalytic the architecture of the Guggenheim can be.

Submissions were received from all over the world from a wide range of artists, designers, and architects, including emerging as well as established practitioners. Among the many works in the exhibition are projects by artists Alice Aycock, FAKE DESIGN (Ai Weiwei), Anish Kapoor, Sarah Morris, Wangechi Mutu, Mike Nelson, Paul Pfeiffer, Doris Salcedo, Lawrence Weiner, and Rachel Whiteread; designers such as Fernando and Humberto Campana, Martí Guixé, Joris Laarman Studio, and Studio Job; and architects such as Álvaro Siza Vieira Arquitecto, BIG (Bjarke Ingels Group), Greg Lynn FORM, junya.ishigami+associates, MVRDV, N55, Philippe Rahm, Snøhetta, Studio Daniel Libeskind, Toyo Ito & Associates, Architects, and West 8. In addition to the exhibition in the Thannhauser and Annex Level 4 galleries, Contemplating the Void will be accompanied by a comprehensive exhibition Web site, which will document each submission and feature introductory essays texts by Nancy Spector and David van der Leer.

The Leadership Committee for Contemplating the Void: Interventions in the Guggenheim Museum is gratefully acknowledged.

100205_Rhinoscript-Workshop @TexFab

TEXFAB (ARLINGTON, TX) | RHINOSCRIPT WORKSHOP | February 05th, 2010
Marc Fornes will be teaching a two sessions Rhinoscript workshop at the University of Arlington, Texas.
(Invitation: Kevin Patrick McClellan)

100127-29_Rhinoscript-Workshop_@TexasTech

LUBBOCK (TEXAS) | RHINOSCRIPT WORKSHOP | January 27-29th, 2010
Marc Fornes will be teaching a three days Rhinoscript workshop at the College of Architecture, Texas Tech University.
(Invitation: Christian R. Pongratz)

100121_withR&Sie(n) @LeLaboratoire, Paris

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Research and exhibition credits:

R&Sie(n) / Le Laboratoire
Scenario, design, production: R&Sie(n)
Math process: François Jouve
Computation: Marc Fornes with Winston Hampel and Natanael Elfassy
Robotics design: Stephan Henrich
Physiological data scanning process and design: Gaetan Robillard, Fréderic Mauclere and Berdaguer & Pejus and Mark Kendall on Microneedles.

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“humor-driven architecture” / R&Sie(n) / Le Laboratoire
Mathematical, physiological, robotic and construction processes for a self-organized collective habitat.

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Pitch / "une architecture des humeurs", a research project / exhibition in which the R&Sie(n) architectural practice has worked with a group comprised of a mathematician, programmers, architects and a robotics designer to develop a computational approach based on biological and physiological data scanned from visitors who are put through situations inciting repulsion, stress and pleasure to conceive housing units and urban fragments based on relational protocols. From January 22 through the April 26, 2010, at Le Laboratoire, 4 rue du Bouloi, 75003 Paris

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From R&Sie website:
"Un architecture des Humeurs"

From January 22-2010, the studio R&Sie(n) will render visible a project exploring new modes and apparatuses of architectural structuring and transaction:

- One aspect is comprised by computational, mathematical and machinist procedures designed to produce an urban structure following certain protocols. These successive indeterminate, improbable and uncertain aggregations will rearticulate the link between the individual and the collective.

- The other aspect is the scanning of the neuro-biological emissions of each visitor so as to analyze their chemical composition. Until now the collection of information involved in the residential unit protocol has been based on visible and reductive data (area, way of life, number of rooms, mode of access, neighbourhood frontiers).

In contrast, this experiment will provide the occasion for an interrogation of the shadowy “emission of desires” through the scanning of certain physiological signals, and the implementation of a chemistry of the moods of future purchasers taken as inputs generating a diversity of habitable morphologies and the relationships between them.

A signal collection station will be on hand. It will make it possible to perceive these variations and the way in which changes in emotional state affect the emitted geometries and influence the construction protocol.

Animist, vitalist and machinist, “mood-driven architecture” rearticulates the need to confront the unknown, an uncertain and unpredictable nature, in a contradictory manner by means of computational and mathematical assessments.

“Humor-driven architecture” is also a tool that will give rise to “Multitudes” and their palpitation and heterogeneity, the premises of a relational organization protocol.

This research is being carried out with François Jouve, the mathematician in charge of working out dynamic structural strategies; Marc Fornes with Winston Hampel and Natanael Elfassy in charge of computational development; the architect and robotics designer Stephan Henrich; and Gaetan Robillard and Fréderic Mauclere for the physiological data collection station, following a scenario by Berdaguer and Pejus. A second process of collect via “Microneedles” of Mark Kendall will be included.

090907_@Galerie Roger Tator (Lyon) (3)

LYON (FRANCE)| nEdg| Galerie Roger Tator | 090907
THEVERYMANY (Marc Fornes, Skylar Tibbits, Mathew Staudt, Jared Laucks)
(invited as part of "parcours raisonance" of the Lyon Art Biennale)
14 September - 27 November (extended...)

"n|Edg" as the sum of its parts:
2 compound surfaces
2796 individual surfaces (from 3 to n edges)
5375 holes

“n|Edg” assembly is written within continuous series of investigations at different scale:

- the overall: development of protocols of surface relaxation - in order for the surface to generate best fit curvature in response to fix hanging or support points (floor, ceiling, walls) as curvature - despite generating apparent complexity - also provides natural structural stiffness.

- surface description (or sampling): re-understanding the resultant surface as series of points - which densities are relative to the degree of curvature – the more curvature the more points and eventually parts.

- surface reconstruction (or tessellation): previous work focused on describing complex surfaces with flat components – after working for different “high end” architectural and design practices - the only way to keep pushing non standard environments is to introduce the economy of parts as part of the equation – therefore early tests were first looking at ways to triangulate complex surfaces – and therefore strategize on panels cut within flat sheets of material – which very quickly evolved toward what is now the trendy “arrays of quads” components paradigm. “n|Edg” is now investigating the reconstruction of a surface with polygonal parts going from three edges to (n) number of edges.

- informed customization: each part is similar though not identical – its change of size and proportion is therefore allows to describe different radius of curvature – but also local re-reading of orientation is driving the length and width of branches – the flatter, the wider in order to provide more surface alike coverage.


top surface reconstruction

bottom surface reconstruction

pattern extract

090907_@Galerie Roger Tator (Lyon) (assembly) (2)

LYON (FRANCE) | nEdg | Galerie Roger Tator | 090907
THEVERYMANY | Marc Fornes, Skylar Tibbits, Mathew Staudt, Jared Laucks
(invited as part of "parcours raisonance" of the Lyon Art Biennale)
14 September - 27 November

Few night shots...
(timing: end of assembly - before final surface twicks)





MORE TO COME...

090907_@Galerie Roger Tator (Lyon) (assembly) (1)

LYON (France) | nEdg | Galerie Roger Tator 090907
(invited as part of "parcours raisonance" of the Lyon Art Biennale)
14 September - 13 November

While waiting for a screws delivery for a new installation (due to open tomorrow!) I have finally few minutes to start posting images from that one...


4 suitaces (flying from New York to Lyon)
81.6kg (max weight allowed for two people + tolerances)
38.274 m2
0.025” thick Golden Anodized Aluminum
22 sheets 4’*8’
6 days to CNC cut
2796 individual panels (from 2 to n edges)
2796 tags (3 to 5digits)
5375 holes
6500 rivets (or 13 boxes)
5 rivet guns


Assembling...
10 days installation
10 people


HISTOIRE A SUIVRE...

091014_ACADIA_Rhinoscript Workshop (Chicago)

CHICAGO | ACADIA | RHINOSCRIPT WORKSHOP | October 19-21, 2009
Marc Fornes will be teaching a three days Rhinoscript workshop in Chicago as part of the ACADIA conference
Invitation: McNeel US - Scott Davidson
http://www.acadia.org/acadia2009/

091005_@_Design Modelling Symposium (Berlin)

BERLIN | Design Modelling Symposium | 05/10 - 07/10/2009
Marc Fornes has been invited as one of the key lecturer.


BERLIN | Rhinoscript Master Classe | 05/10 - 07/10/2009
Marc Fornes will also run -as part of the Design Modelling Symposium- a three session master class on rhinoscript.

From the Design Modelling Symposium Berlin website:
The Symposium sees itself as an international interdisciplinary platform of designers, developers and scientists of the disciplines architecture, design and engineering.

The fundamental technological principals of designing, planning and building have changed radically. CAD (Computer Aided Design) and CAM (Computer Aided Manufacturing) are nowadays an integral part in concept and planning processes. FEM (Finite Element Method) helps in analysing and optimising more and more complex structures. It is now possible to simulate and explore complex coherences between material, structure and climate. New materials open up the development of more effective constructions, new spatial and material experiences.

The Design Modelling Symposium would like to encourage discussion about the target course of this development by exchanging the experiences in appliance of such new technologies. Rather than the prospects of modelling complex geometries and structures, the main focus lies in new concepts and design strategies emerging from the application of new technologies. Another emphasis is the discussion of the role of analogue and digital models in the design and planning process as well as questions regarding realisation of complex geometries and construction systems.

Invited Key Lecturers
-Robert Aish, Autodesk, Inc.
"Language and Interaction for Design Computation"
-Marc Fornes, Theverymany, New York
“Different, Similar, Identical“
-Axel Kilian, TU Delft
“Designexplorations”
-Wolf Mangelsdorf, Buro Happold London
“Complex Geometries: Strategies for Design and Realisation“
-Andrew Marsh, AEC-Simulation Autodesk, Inc.
"Generative and Performative Design Techniques"
-Norbert Palz, Royal Danish Academy of Fine Arts, Copenhagen
“Materiality without a Past“
-Helmut Pottmann, Geometric Modeling and Industrial Geometry Group, TU Wien
“Paneling Architectural Freeform Surfaces“
-Dennis R. Shelden, Gehry Technologies
"Parametric Modelling and Integrated Project Delivery"
-Kai Strehlke, Herzog & de Meuron, Basel
"CAD-CAM in the design process of HdM- the glas pattern of the Philharmonic Hall in Hamburg"
-Oliver Tessmann, Bollinger + Grohmann, Frankfurt
"Collaborative Design Procedures of Architects and Engineers“
-Rivka Oxman, Faculty of Architecture and Town Planning, Technion, Haifa
"Digital architecture as a challenge for design pedagogy: theory, knowledge, models and medium"

090820_ALOBLUMS (Chile) (2)

ALOBLUMS Valparaiso (Chile) August 2009
THEVERYMANY / Marc Fornes, Skylar Tibbits, Mathew Staudt
+ collective BANGS & many students from the workshop...

marc fornes installation. from ameliechucky on Vimeo.

Many thanks to Pablo C. Herrera for the video...

090820_ALOBLUMS (Chile)

ALOBLUMS | Valparaiso (Chile) | August 2009

Design: THEVERYMANY
Design Team: Marc Fornes, Skylar Tibbits, Mathew Staudt
Assembly team: collective BANGS and many students from the workshop...





ALOBLUMS SUM OF ITS PARTS:
sphereoid - 2m (6') approx. diameter...
70 modules (4 types)...
12 sheets of golden anodized aluminum...
cnc cut in Philadeplhia (Continental Signs)...
3700 rivets...
all packed with me on the plane as 2 check in bags (40 and 35 pounds)...



MORE TO COME SOON......

Many thanks to the collective BANGS for the invitation - especially Marcela Godoy for making that workshop happen...

Students:
Eduardo Hirose, Daniel Concha, Diego Moreno, Juan Pablo Klempau, Felipe Valdebenito, Pablo Banda, Francisco Quitral, Hermann Zbindenn, José Luis Guzmán, Victor Bunster M., Drago Vodanovic, Claudio Troncoso, Tomas Jacobsen, Miguel Aravena, Pablo Silva
Francisco Calvo, Camila Rock De Luigi, Francisco Lara, Oscar Terrazas , Gabriel Santander, Oscar Ignacio Contreras, Hernán Castro, Natalija Boljsakov, Brian Miller, Manuel Díaz, Rodrigo Ramírez, Gonzalo Andrade, Andre Geoffroy, Matias Carrera...

BANGS:
Pablo Barría, Begoña Arellano, Claudio Astudillo, José Narea,, Marcela Godoy, Linda Schilling

Extras:
Pablo C. Herrera, Tristan Al Haddad...

090722_WORKSHOP_in_CHILE

CHILE | Valparaiso | August 10-14th
Marc Fornes will be running a week long workshop:
-partly technique oriented (rhinoscript)
-partly looking at protocols of "Precise Indetermination" into design...
Invitation: "bangs"
(more information on their website)

090717_at_BRIDGE GALLERY (NYC)

Echinoids | THEVERYMANY | Bridge Gallery | 2009 | nyc


"-oid" is derived from the Latin suffix -oides taken from Greek and meaning "having the likeness of". Thus it is a suffix much used in the sciences and mathematics to indicate a "similarity, not necessarily exact, to something else".
Thus Rhomboid means "like a rhombus". Because -oid denotes similarity, not necessarily exact, but can also denote exactness, in chemistry the suffix refers to a very large class of related compounds, natural and/or synthetic. Examples include steroid (of which sterols are just one smaller group) and alkaloid. (ie wikipedia)


From many parts...
Long. 13.5ft - Larg. 5ft - Height 7.5ft
530 modules
25 Sheets (4*8") Walnut veneer (800 Sft) + olive oil
1600 of Elastic bras straps (Brown, Black, Navy Blue)
4500 screws

To logistic of parts...
Lacing time: 1/2h/module - 40 modules/day!

"RUSTIC COMPUTATION"...


THEVERYMANY | Marc Fornes, Skylar Tibbits, Mat Staudt

090706_at_BRIDGE GALLERY (NYC)

Once more many parts...

THEVERYMANY @ BRIDGE GALLERY (NYC)
98 Ochard Street New York NY 10002
Opening: Thursday July 9th
(as part of the collective show "Wild child" curated by Peter Macapia)



It is all about "rustic computation"...


Full credits shared with the MANY who made this installation possible...
Also many thanks to PRATT INSTITUTE and our friends at ANYLINE NYC for the laser cutting...